Wyniki wyszukiwania:

Volume 8 of The Cambridge History of Literary Criticism (the second to be published) deals with the most hotly debated areas of literary theory, including Structuralism, Poststructuralism, Semiotics, and Hermeneutics. Also incorporating a reflective chapter by Richard Rorty on Deconstruction, and culminating in accounts of the reader-oriented criticism of critics such as Stanley Fish, this is the first book to engage systematically with the history of the twentieth century's most profound and extensive set of cross-cultural intellectual movements.

Provides an accessible introduction to the study of contemporary literary theories and their applications to a range of literary texts. This is an elementary introduction where the emphasis is on practice, and in this respect it complements A Reader's Guide to Contemporary Literary Theory.

First published in 1978 English Verse Satire aims to provide a critical study of the major English verse satirists as well as an account of the historical development of verse satire. A special feature of the book is the emphasis on tradition, continuity, and innovation.

This book is divided into five parts and covers: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history.

" A clear and accessible demonstration of how contemporary literary theories can be applied to a wide range of texts, from Shakespeare, Bunyan, Sterne, Keats, to James, Stevens, Joyce, Pinter, Updike, and Arthur Miller."

First published in 1984 Criticism and Objectivity argues that literary critics should not abandon the concept of knowledge. The similarities between the role of theory in science and in literary criticism imply the need for ‘objectivity’ to be redefined rather than abandoned.

Unsurpassed as a text for upper-division and beginning graduate students, Raman Selden's classic text is the liveliest, most readable and most reliable guide to contemporary literary theory. Includes applications of theory, cross-referenced to Selden's companion volume, Practicing Theory and Reading Literature.

Reflecting the continuing change and development in modern literary theory, the key features of this book includes its clarity, brevity, equal coverage of the main literary theories and useful bibliographies of further reading.

Literature students will find its clearly defined sections easy to navigate and whilst avoiding over-simplification, it makes a complex subject accessible.

Features
-Accesible, easy to use guide
C-onsiders 'New Aestheticism' and engages with the ideas of 'Post-Theory'
-Contains extensive guides to further reading, web and...

A Reader s Guide to Contemporary Literary Theory is a classic introduction to the complex yet crucial area of literary theory. This book is known for its clear, accessible style and its thorough, logical approach, guiding the reader through the essentials of literary theory. It includes two new chapters: New Materialisms which incorporates ecocriticism, animal studies, posthumanism and thing theory; 21^st Century and Future Developments which includes technology, digital humanities, ethics and affect.

"

A Reader's Guide to Contemporary Literary Theory is a classic introduction to the complex yet crucial area of literary theory. This book is known for its clear, accessible style and its thorough, logical approach, guiding the reader through the essentials of literary theory. It includes two new chapters: 'New Materialisms' which incorporates ecocriticism, animal studies, posthumanism and thing theory; '21^st Century and Future Developments' which includes technology, digital humanities, ethics and affect.