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The great nineteenth-century tragedienne known simply as Rachel was the first dramatic actress to achieve international fame. Composing her own persona with the same brilliance and passion she demonstrated on stage, she virtually invented the role of "star." Rumors of her extravagant life offstage delighted the audiences who flocked to theaters in Boston and Paris, London and Moscow, to see her perform in the tragedies of Racine and Corneille. In "Tragic Muse," Rachel M. Brownstein reveals the life of "la grande Rachel" and explores--at the boundary of biography, fiction, and cultural...

Now back in print, this feminist classic explores how women define themselves and their lives in terms of novels. Many of the greatest novels in English have women as their protagonists, and women have always been the novel's most faithful readers. Why is it that fiction and women relate so intimately?

From the first publication of Pride and Prejudice to recent film versions of her life and work, Jane Austen has continued to provoke controversy and inspire fantasies of peculiar intimacy. Whether celebrated for her realism, proto-feminism, or patrician gentility, imagined as a subversive or a political conservative, Austen generates passions shaped by the ideologies and trends of her readers' time--and by her own memorable stories, characters, and elusive narrative cool.

In this book, Rachel M. Brownstein considers constructions of Jane Austen as a heroine, moralist, satirist,...