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-So where you going? And isn't it a little past your bedtime?
-Coming from you?
-This ain't no open top tourist thing you know? It's the 11.

Circling the outskirts of Birmingham on the Number 11 bus, two teenagers develop an unlikely friendship. Meanwhile a mother observes her daughter's attempt to leave a violent relationship. Against the backdrop of a changing city everyone involved is forced to re-examine what they thought they knew about love, trust, family and friendship.

Rachel's De-lahay's vivid and powerful new play boldly explores cycles of...

Anka got in and is here for good.
Olufemi is being coached to break back in.
Bashir has been here forever but he's just been sent to limbo.
Lisa wants to send them all home.

Welcome to England.

A journey into to the heart of what it is to be a citizen, and finding a place where you belong.

A cutting new play about immigration and exile, and what happens when people fall through the cracks, Routes opens up the borders of friendship and family.

'Everyone lived perfectly happily round here together before you young ones try to integrate and confuse things.'

The accusation of a Black teenager sparks disturbance on the South London streets. While tensions rise and local rioting starts, a couple from very different backgrounds navigate the minefield between them, their families and their disparate but coexisting neighbourhood.

Joint winner of the 2011 Alfred Fagon award (under its former title SW11), The Westbridge showcases an array of multiple voices. Presenting a microcosm of multicultural society,...

Advance praise for The Experiments (a legend in pictures & words) by Rachel May... Rachel May blends the sensuous and the violent into forceful narratives that refuse to settle neatly down. Instead, they stick out, don't quite match up, and shuffle restlessly around in the most exciting and satisfying ways-just as her sewn collages do, in clashing prints and riotous colors-and all in quest of identity, in trying to put a name to it all, a name that goes beyond language, that demands the vividly visual, that demands the tangible. This book puts it in our hands. -Cole Swensen