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To metaphorize the world as a theatre has been a common procedure since antiquity, but the use of this trope became particularly prominent and pregnant in early modern times, especially in England. Old and new applications of the "theatrum mundi" topos pervaded discourses, often allegorizing the deceitfulness and impermanence of this world as well as the futility of earthly strife. It was frequently woven into arguments against worldly amusements such as the stage: Commercial theatre was declared an undesirable competitor of God's well-ordered world drama.

Early modern dramatists...

Conceptualizing the curse as the representation of a foundational, mythical violence that is embedded within juridical discourse, Shakespeare's Curse pursues a reading of Richard III, King John and King Lear in order to analyze its persistence in the discourses of modernity. Shakespeare wrote during a period that was transformative in the development of legal thinking. But, taking up the relationship between theatre, theology and law, Bjoern Quiring argues that constitutional and contractarian legal thinking did not replace, but reinforced and reinvigorated Christian ideas about the curse and...