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Since moving to New York City over a decade ago, Quentin Crisp has brought his love of the cinema and his notorious wit together in a series of essays on films and film stars. A veteran film-goer of seventy years who has kept a vigilant eye on changing Hollywood styles and the public tastes that follow, Mr. Crisp discusses both films and stars with his typical panache and dexterity and leads his readers with polite madness to a clear, straightforward moral, proving himself to be an unexpected champion of good sense. Along the way Mr. Crisp shares his personal encounters with the likes of...

This is the second in the series of poetry collections that began with -September. Once again, adapting the Japanese tanka form, Quentin S. Crisp presents a poetic and aphoristic journal of season, mood, observation and introspection. Both a scrapbook of a writer's working process and a marshalling of new combinations of subject matter through an update of old forms, October is a further attempt by the author to close the gap between the time-taking, record-keeping distance of the written word and the immediacy of the living moment.

"Poetry is one of the oldest, most widespread and yet most secret means of renewal known to human culture. It is the most essential way of prizing single words and the immemorial heritage that is language. With poetry, science and magic are mixed; we put runes under a microscope. A poem is a fish that has swallowed a ring of many meanings, leaping from the belly of a lake to flash for an instant in the sun.

"In recent years, I have found myself drawn to the Japanese tanka form, and have developed my own version of it, in English, through practice rather than theory. I say 'my own...

Back in print after a long hiatus, Quentin S. Crisp's third collection of fiction, Rule Dementia , sees the author start to experiment with the form and content of the macabre tale. 'The Haunted Bicycle' is his first attempt to use Japanese I-novel techniques with supernatural subject matter and tales such as 'The Waiting' and 'Unimaginable Joys' are a fusion of cosmic vision and the fey, shoe-gazing miserablism of Generation X. Throughout, the collection forms a symbolic, whimsical bestiary of the modern soul as brimming with unexpected, irreducible and oddly specific imagery as...

Vehicle for warped desire or major contribution to the modern novel, The Cutest Girl in Class steals the prosthetic hand of modern existence, gloves it in the leopard-skin of amazing style and idiom, and then proceeds to slap modern existence in the face with its own stolen hand.

Zak is a man who likes to play with dolls - Real Dolls. Clive is a boy longing for Marybeth, the girl next door. Now their disparate streams of lust and longing are about to cross, thanks to Thad, an aspiring, almost heartbreaking criminal, and Clive's father, whose obsession with "inorganic women"...