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Intense verbal music with a jazz feeling; invention against the grain of expectation; intelligence racing among materials with the variety of a busy street--these have been the qualities of Robert Pinsky's work since his first book, Sadness and Happiness (1975), celebrated for setting a new direction in American poetry. At that time, responding to a question about that book, Pinsky said: "I would like to write a poetry which could contain every kind of thing, while keeping all the excitement of poetry."

That ambition was realized in a new way with each of his books, including...

Death and Fallibility in the Psychoanalytic Encounter considers psychoanalysis from a fresh perspective: the therapist's mortality--in at least two senses of the word. That the therapist can die, and is also fallible, can be seen as necessary or even defining components of the therapeutic process. At every moment, the analyst's vulnerability and human limitations underlie the work, something rarely openly acknowledged.

Freud's central insights continue to guide the range of all talking therapies, but they do so somewhat in the manner of a smudged ancestral map. That blur,...

Is there anything holy in Springfield, the home to irascible Bart Simpson and his naive dad Homer, their enthusiastic evangelical neighbor Ned Flanders, the sourpuss minister Rev. Lovejoy, and the dozens of other unique characters who inhabit the phenomenally popular TV show? In this revision of the 2001 bestseller, author Mark Pinsky says yes

In this entertaining and enlightening book, Pinsky shows how The Simpsons engages issues of religion and morality in a thoughtful, provocative, and genuinely respectful way. With three new chapters and updates to reflect the 2001-2006...

In this book Robert Pinsky writes about contemporary poetry as it reflects its modernist and Romantic past. He isolates certain persistent ideas about poetry's situation relative to life and focuses on the conflict the poet faces between the nature of words and poetic forms on one side, and the nature of experience on the other.

The author ranges for his often surprising examples from Keats to the great modernists such as Stevens and Williams, to the contents of recent magazines. He considers work by Ammons, Ashbery, Bogan, Ginsberg, Lowell, Merwin, O'Hara, and younger writers,...

"Since the death of Robert Lowell in 1977, no single figure has dominated American poetry the way that Lowell, or before him Eliot, once did . . . But among the many writers who have come of age in our fin de siecle, none have succeeded more completely as poet, critic, and translator than Robert Pinsky." --James Longenbach, The Nation

With all the generosity and mastery we have come to expect from our three-time Poet Laureate, Robert Pinsky has written a bold, lyrical meditation on identity and culture as hybrid and fluid, violent as well as creative: the...

The place of poetry in modern democracy is no place, according to conventional wisdom. The poet, we hear, is a casualty of mass entertainment and prosaic public culture, banished to the artistic sidelines to compose variations on insipid themes for a dwindling audience. Robert Pinsky, however, argues that this gloomy diagnosis is as wrongheaded as it is familiar. Pinsky, whose remarkable career as a poet itself undermines the view, writes that to portray poetry and democracy as enemies is to radically misconstrue both. The voice of poetry, he shows, resonates with profound themes at the...

History of My Heart, winner of the William Carlos Williams Prize, first appeared in 1984. In The New Republic, J.D. McClatchy called it "one of the best books of the past decade." It is Pinsky's third volume of poems--and an ideal introduction to the work of a vital and original contemporary American poet.