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Drawn to Paper: Degas to Rego is a publication showcasing works on paper by some of the leading figures of European modernism. The selection is built around a group of works from a private collection and have not been seen in public since they were acquired in the 1970s and early ‘80s. At the heart of the collection is a group of works made by leading artists on the mid-twentieth-century Paris art scene, including the American Alexander Calder and Spaniards Picasso, Dalí and Miró, as well as the French artists Raoul Dufy and Fernand Léger. The publication is fully-illustrated with a...

Fully illustrated catalogue on Surrealist painter John Armstrong A.R.A., member of Unit One, and pre-eminent inter-war and post-war British artist.

Bomberg/ Marr is a fully-illustrated catalogue presenting a selction of major works by David Bomberg (1890- 1957) and his student Leslie Marr (b.1922).

Peter Coker: Mind and Matter is a fully-illustrated catalogue presenting a selection of exceptional works by Peter Coker, spanning the early 1950s through to the mid-1980s. The first publication focusing on Coker's works in over a decade, the catalogue will seek to reassess Coker's contribution to post-war figurative British art.

Returning from a visit to New York in 1979, William Crozier had a rush of creative energy. Newly confident in his European identity and inspired by art of the past, he produced a cycle of still life work. This fully illustrated book presents a selection of Crozier's still life paintings and watercolours from an important period in his career. William Crozier was one of the premier painters in post-war Ireland. His still life paintings pulse with the memory of both Chardin and Picasso, even as he remade the genre in his own inimitable style. Executed in 1979 and 1980, the paintings...

Published to accompany Piano Nobile's exhibition of the same title, Cyril Mann: The Solid Shadow Paintings, is the first book to describe this vivid and art historically significant group of still-life paintings. As well as including a fully-illustrated catalogue of the exhibition, the book describes how Mann's solid shadow style emerged in the early nineteen-fifties. Though Mann spent the rest of his career painting natural light, the solid shadow paintings were made under the glow of an electric lightbulb. After moving into a lightless flat at Old Street, Mann's pictures began to course...