Wyniki wyszukiwania:

Includes her three Royal Court -performed plays Weldon Rising "Here is the best new play I have seen in many months...This play is exciting because it is well written, unusually constructed and morally serious." (Financial Times); in Butterfly Kiss "Nagy captures the texture of a life and writes short, vivid, often disturbingly erotic scenes...it's a play that leaves me proclaiming Nagy a writer of real talent" (Guardian), Disappeared (winner of the Mobil Prize,1995) "A piece that gets right under your skin...There's no neat solution to Nagy's conundrum, just a fog of fear, despair, and...

Nagy's latest play is a blend of chilling humour and surrealism, interconnected issues of sex, truth, sincerity, psychology and mystery.

"Whereas much contemporary playwriting is egregious, anorexic, short-winded and uncluttered, Nagy writes sinuously and elegantly, working towards a theatrical coalescence of plot, dialogue and swiftly changing scenic representation that is as exciting as it is unusual" (Michael Coveney)