Wyniki wyszukiwania:

Phillip Barrish traces the emergence of new ways of gaining intellectual prestige in the key works of late nineteenth- and early twentieth-century American literary realism.

Between the Civil War and the First World War, realism was the most prominent form of American fiction. Realist writers of the period include some of America's greatest, such as Henry James, Edith Wharton and Mark Twain, but also many lesser-known writers whose work still speaks to us today, for instance Charles Chesnutt, Zitkala- a and Sarah Orne Jewett. Emphasizing realism's historical context, this introduction traces the genre's relationship with powerful, often violent, social conflicts involving race, gender, class and national origin. It also examines how the realist style was created;...

Between the Civil War and the First World War, realism was the most prominent form of American fiction. Realist writers of the period include some of America's greatest, such as Henry James, Edith Wharton and Mark Twain, but also many lesser-known writers whose work still speaks to us today, for instance Charles Chesnutt, Zitkala-Sa and Sarah Orne Jewett. Emphasizing realism's historical context, this introduction traces the genre's relationship with powerful, often violent, social conflicts involving race, gender, class and national origin. It also examines how the realist style was created;...

Focusing on key works of late-nineteenth and early- twentieth-century American literary realism, Phillip Barrish traces the emergence of new ways of gaining intellectual prestige--that is, new ways of gaining some degree of cultural recognition. Through extended readings of works by Henry James, William Dean Howells, Abraham Cahan, and Edith Wharton, Barrish emphasizes the differences between realist modes of cultural authority and those associated with the rise of the social sciences.