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I feel this . . . thing inside me. Just here. Next to my heart. It's small. The size of sparrow. I don't know what it looks like. But I know it's got claws because it scratches. And I imagine it to be dark blue - mauve almost - like the veins on my mum's hands. I hear it talking. Its voice is high pitched and screeching. It's talking about all the things we've done.

A wickedly comic satire about a young couple offered a way out of the housing crisis, and just how far they're prepared to go for it.

Ollie and Jill want to tell you about their dream home. Some of the things...

Winner of the 1990 Evening Standard Film Award for Best Film

Post-war East End London. Ronnie and Reggie Kray are school ground bullies brought up by a domineering mother and two devoted aunts. National Service and spells in prison expose the brutality that helps establish the twin brothers as the kings of 1960s gangland London.

Philip Ridley's original, uncut screenplay, almost as notorious as its subject matter is a stylised meditation on maternal love, childhood, violence and homoeroticism and takes its place as one of the masterpieces of contemporary cinema.

A doorway to a new future is ready to open. We are the hinge of that moment. We will let the door swing wide.

On a beautiful spring evening - when both moons are full - two teenagers vow eternal love. It is a moment that will have cataclysmic consequences. Not just for them, but for the world on which they live. A world where Prom Night is a matter of life or death, where weapons are grown and trained like pets, and where a chosen few are hearing a voice. A voice that speaks of . . . Karagula.

Philip Ridley's extraordinary, form-shattering Karagula is a play of...

On the surface, Steven has everything. A beautiful wife, a successful business, a brand new home. But beneath the glittering veneer lies a monstrous secret . . .

'You believe him cos he wraps all the painful stuff in feathers and flowers. Makes it all safe and cosy. You can't feel the broken glass inside.'

Leaves of Glass is a rich, complex play about two brothers and the hold that the past and memory has on them. Haunted by the death of his father and a car accident involving a young child, Steve finds his life unraveling and his pregnant wife unable to comprehend his...

"My name is Daffodil Scissors. I haven't got any friends. Not one "

Daffodil lives alone with Dad. Dad makes extraordinary hats. The extraordinary hats go on Daffodil's head. Wearing Dad's hats makes everyone at school laugh at Daffodil. How is Daffodil ever going to make friends? Perhaps the mysterious Bag Lady has the answer.

Beneath a sky full of stars a decision is made. This decision sets off an astonishing chain of events. And a journey involving a talking leopard, a greedy King, a magical bird, a tidal wave, a Sea Witch, a lost soldier, a devious dolphin, a war - and a trail of feathers in the snow . . .

Feathers in the Snow, a family show by acclaimed playwright and children's author Philip Ridley, is an epic story of magic and migration. Covering over five hundred years - and with a huge cast - it explores how stories give meaning to random events and of our constant need to find somewhere...

This second volume of Ridley's stage plays confirms him as one of themost imaginative, daring and unique voices currently working intheatre. All four plays collected here resonant with Ridley's trademarkthemes - East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix ofthe barbaric and the beautiful he has made all his own.

Vincent River: '? a grieving mother and a traumatized teenagermeet as adversaries, rough each other up and eventually bond over abarbaric act of cruelty?Ridley asksquestions, lots...

If you think I'm threatened by you, you're wrong. I'm Travis Flood. I was threatening people before you were born.

Back in the sixties, Travis Flood and his gang terrorised Bethnal Green. Now, after an absence of 25 years, Travis returns and meets Rio, whose haunting beauty leads him to confront a story that bears no relation to his own distorted memory. And then there's the Cheerleaders . . . a present-day gang, more vicious and terrifying that anything Travis led in the past.

This edition of Ghost from a Perfect Place was published to coincide with the first...

This volume contains Ridley's first three plays, which heralded the arrival of a unique and edgy voice in the world of contemporary drama. They are seminal works in the development of the "in yer face" theatre that emerged in Britain during the mid-1990s.

The three plays here all manifest Ridley's vivid and visionary imagination and the dark beauty of his outlook. They resonate with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his...

Challenging new play by the enfant terrible of dark, disturbing drama

Elliot is panicking. The party that he and his brother Darren have been planning has been brought forward - to tonight.

In a lawless, ravaged city, where memories of the past have been brutally erased, the boys and their team survive by realising their clients' darkest fantasies. But just how far are they prepared to go in trading humanity for information? As the light fades and events spiral out of control it becomes clear that on the success of the evening hangs not just their security, but their existence....

Davey has seen something he can't forget. Anita has been forced to flee her home. These two have never met. Tonight their paths cross with devastating consequences.

Thrilling, heartbreaking and darkly humorous by turns, Vincent River explores the classic Ridley themes of loss, sexual identity, the family as a destructive force, East London and the redemptive power of storytelling.

Vincent River premiered at Hampstead Theatre on 6 September 2000. It received its West End premiere at the Trafalgar Studios on 30 October 2007.

'Look - they're fading. Those liars. Dissolving . . . It's the end of their world . . . The birth of a new one . . . Our one . . . Our world.'

It's Mother's Day and mother is dead. Now her two sons gather in her home to argue about the truth of their childhood. But a storm is approaching . . . with a violent new truth all of its own.

Piranha Heights is non-stop, filthily poetic and a searing insight into the disenchantment of young people today.

This edition, featuring a revised script, published to coincide with play's revival at the Old Red Lion,...