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Winner of the 1990 Evening Standard Film Award for Best Film

Post-war East End London. Ronnie and Reggie Kray are school ground bullies brought up by a domineering mother and two devoted aunts. National Service and spells in prison expose the brutality that helps establish the twin brothers as the kings of 1960s gangland London.

Philip Ridley's original, uncut screenplay, almost as notorious as its subject matter is a stylised meditation on maternal love, childhood, violence and homoeroticism and takes its place as one of the masterpieces of contemporary cinema.

A doorway to a new future is ready to open. We are the hinge of that moment. We will let the door swing wide.

On a beautiful spring evening - when both moons are full - two teenagers vow eternal love. It is a moment that will have cataclysmic consequences. Not just for them, but for the world on which they live. A world where Prom Night is a matter of life or death, where weapons are grown and trained like pets, and where a chosen few are hearing a voice. A voice that speaks of . . . Karagula.

Philip Ridley's extraordinary, form-shattering Karagula is a play of...

On the surface, Steven has everything. A beautiful wife, a successful business, a brand new home. But beneath the glittering veneer lies a monstrous secret . . .

'You believe him cos he wraps all the painful stuff in feathers and flowers. Makes it all safe and cosy. You can't feel the broken glass inside.'

Leaves of Glass is a rich, complex play about two brothers and the hold that the past and memory has on them. Haunted by the death of his father and a car accident involving a young child, Steve finds his life unraveling and his pregnant wife unable to comprehend his...

I feel this . . . thing inside me. Just here. Next to my heart. It's small. The size of sparrow. I don't know what it looks like. But I know it's got claws because it scratches. And I imagine it to be dark blue - mauve almost - like the veins on my mum's hands. I hear it talking. Its voice is high pitched and screeching. It's talking about all the things we've done.

A wickedly comic satire about a young couple offered a way out of the housing crisis, and just how far they're prepared to go for it.

Ollie and Jill want to tell you about their dream home. Some of the things...

Challenging new play by the enfant terrible of dark, disturbing drama

Elliot is panicking. The party that he and his brother Darren have been planning has been brought forward - to tonight.

In a lawless, ravaged city, where memories of the past have been brutally erased, the boys and their team survive by realising their clients' darkest fantasies. But just how far are they prepared to go in trading humanity for information? As the light fades and events spiral out of control it becomes clear that on the success of the evening hangs not just their security, but their existence....

Davey has seen something he can't forget. Anita has been forced to flee her home. These two have never met. Tonight their paths cross with devastating consequences.

Thrilling, heartbreaking and darkly humorous by turns, Vincent River explores the classic Ridley themes of loss, sexual identity, the family as a destructive force, East London and the redemptive power of storytelling.

Vincent River premiered at Hampstead Theatre on 6 September 2000. It received its West End premiere at the Trafalgar Studios on 30 October 2007.

'Look - they're fading. Those liars. Dissolving . . . It's the end of their world . . . The birth of a new one . . . Our one . . . Our world.'

It's Mother's Day and mother is dead. Now her two sons gather in her home to argue about the truth of their childhood. But a storm is approaching . . . with a violent new truth all of its own.

Piranha Heights is non-stop, filthily poetic and a searing insight into the disenchantment of young people today.

This edition, featuring a revised script, published to coincide with play's revival at the Old Red Lion,...

Philip Ridley's latest play for Soho Theatre brings his unique blend of story-telling mixed with an apocalyptic vision of a society at conflict with itself to the stage.

'Look - they're fading. Those liars. Dissolving . . . It's the end of their world . . . The birth of a new one . . . Our one . . . Our world.'

It's Mother's Day and mother is dead. Now her two sons gather in her home to argue about the truth of their childhood. But a storm is approaching . . . with a violent new truth all of its own.

This programme playtext is published to tie in with the...

"Now listen to me, my boy. I saved Lizard Street once. And now... now it's your turn. Be the hero you know yourself to be"

It is the day for choosing a hero Ruskin Splinter wants to be that hero Unfortunately, the very idea he could defeat the Dragon in the school play makes everyone laugh. But in the vast

sewers of Lizard Street something is stirring. Something called Krindlekrax. And, before long, Ruskin will be testing his heroic qualities... for real.

This collection brings together Philip Ridley's one-act plays for young people, known as The Storyteller Sequence, ideal for teenagers to either watch or perform.

Karamazoo is a fifteen-minute monologue about one of the coolest, most popular kids in the school, whose recent increase in popularity is the direct result of a character make-over following the death of a parent. A witty and moving performance piece for the teenage actor.

Fairytaleheart features two fifteen-year-olds, Kirsty and Gideon, who meet for the first time and come to terms with their...

It was a very hot day - dazzling sunshine - and Mum - she was wiping sweat from her neck. No, not wiping. Dabbing . . . Dab . . . Dab. Mum was a beauty. Not like me. And don't tell me I am because you'll be lying and I won't thank you for it. Not today. Not when this whole thing - us, here - is about me telling the truth.

The latest from Philip Ridley is a beautiful, breath-taking new drama about one girl's craving for family and home, and the lengths she will go to achieve them.

Dark Vanilla Jungle embarked on a national tour of Great Britain in spring...

Moonfleece is an intense and thrilling exploration of memory and identity, with themes of contemporary resonance: racism, homophobia, and how those in authority distort both the truth and the past.

This play is Philip Ridley's most direct representation yet of his hopes and fears for disadvantaged, diverse communities across the UK, as two groups of teenagers are forced to judge for themselves the prejudices and preconceptions of their parents. This is a vital, relevant and compelling story about diversity and tolerance.

The plot follows Curtis, who has arranged a...

The Pitchfork Disney heralded the arrival of a unique and disturbing voice in the world of contemporary drama. Manifesting Ridley's vivid and visionary imagination and the dark beauty of his outlook, the play resonates with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own.

The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court...