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The essays in this collection all illustrate the vitality of Neo-Latin drama in early modern Europe, arising from its productive combination of classical models with deep-rooted vernacular traditions. While the plays were often composed in the context of a school or university setting, the dramatists seldom neglected the need to appeal to a broad audience, including non-Latinists. Yet the use of Latin, and the ambiguity of a plurivocal literary form, allowed the authors of these plays to introduce messages and ideas that could be subversive of the prevailing political and religious...

Surely pirates, taking them in their broadest sense, are as much entitled to a biographical dictionary of their own as are politicians, clergymen, race-horses, or artists in ferro-concrete, who all have their own "Who's Who"? This volume does not pretend to be a history of piracy, but is simply an attempt to gather together, from various sources, particulars of those redoubtable pirates and buccaneers whose names have been handed down to us in a desultory way.

To write a whole history of piracy would be a great undertaking, but a very interesting one. Piracy must have begun in the far,...

The work of the Latin writers of Scotland has suffered a neglect which its variety, copiousness, and intrinsic interest do not deserve. Their importance, and the importance of Latin as a literary language, is beginning to be recognized by scholars. Researchers from the universities of Glasgow and St. Andrews have now prepared the first-ever bibliography of Scottish Latin in print - unique both in its focus on the many works written in Latin and in the way in which Scottish writers are specifically targeted. Covering the years c. 1480-1700, this new reference tool carefully catalogues the...