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The book considers the London theatrical culture which took shape in the 1570s and came to an end in 1642.

• Places emphasis on those plays that are readily available in modern editions and can sometimes to be seen in modern productions, including Shakespeare.
  
• Provides students with the historical, literary and theatrical contexts they need to make sense of Renaissance drama.
  
• Includes a series of short biographies of playwrights during this period.
  
• Features close analyses of more than 20 plays, each of which draws...

The book considers the London theatrical culture which took shape in the 1570s and came to an end in 1642.

• Places emphasis on those plays that are readily available in modern editions and can sometimes to be seen in modern productions, including Shakespeare.
  
• Provides students with the historical, literary and theatrical contexts they need to make sense of Renaissance drama.
  
• Includes a series of short biographies of playwrights during this period.
  
• Features close analyses of more than 20 plays, each of which draws...

Dialogue is a many-sided critical concept; at once an ancient philosophical genre, a formal component of fiction and drama, a model for the relationship of writer and reader, and a theoretical key to the nature of language. In all its forms, it questions 'literature', disturbing the singleness and fixity of the written text with the fluid interactivity of conversation.

In this clear and concise guide to the multiple significance of the term, Peter Womack:

• outlines the history of dialogue form, looking at Platonic, Renaissance, Enlightenment and Modern...