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Designed for students, scholars and general readers with an interest in dance and queer history, A Queer History of the Ballet focuses on how, as makers and as audiences, queer men and women have helped to develop many of the texts, images, and legends of ballet.

Presenting a series of historical case studies, the book explores the ways in which, from the nineteenth century into the twentieth, ballet has been a means of conjuring homosexuality - of enabling some degree of expression and visibility for people who were otherwise declared illegal and obscene.

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Designed for students, scholars and general readers with an interest in dance and queer history, A Queer History of the Ballet focuses on how, as makers and as audiences, queer men and women have helped to develop many of the texts, images, and legends of ballet.

Presenting a series of historical case studies, the book explores the ways in which, from the nineteenth century into the twentieth, ballet has been a means of conjuring homosexuality - of enabling some degree of expression and visibility for people who were otherwise declared illegal and obscene.

...

This book traces the ways in which Mark Twain was formed by, and sought to manipulate, the ideology of gender. Peter Stoneley considers the range of Twain's writing, from classic novels such as The Adventures of Huckleberry Finn to embittered autobiographical fragments. Twain's preoccupation with the nature and value of the "feminine" has long been recognized as a central feature of his writing. Stoneley goes beyond repeated generalizations to provide a detailed analysis; his book will be of interest to scholars and students of American literature, cultural history and gender studies.

Peter Stoneley's humour prevails as he recalls 30 years of struggle against: Greek law, when their purchase of Corfu olive-trees was declared illegal; Greek customs, when they drove an English car; Greek government, which wanted to demolish their house; Greek weather which undid their work; and Greek wildlife, which thought they owned the place anyway.

Why did the figure of "the girl" come to dominate the American imagination from the middle of the nineteenth century into the twentieth? Peter Stoneley looks at how women were fictionalized for the girl reader as ways of achieving a powerful social and cultural presence. Covering a wide range of works and writers, this book is of interest to cultural and literary scholars.

Mark Twain's preoccupation with the nature and value of the 'feminine' has long been recognized as a central feature of his writing.

An authoritative guide to American literature, this Companion examines the experimental forms, socio-cultural changes, literary movements, and major authors of the early 20th century. This Companion provides authoritative and wide-ranging guidance on early twentieth-century American fiction.

• Considers commonly studied authors such as Faulkner, Fitzgerald, and Hemingway, alongside key texts of the period by Richard Wright, Charles Chesnutt, Zora Neale Hurston, and Anzia Yezierska
  
• Examines how the works of these diverse writers have...

Why did the figure of "the girl" come to dominate the American imagination from the middle of the nineteenth century into the twentieth? Peter Stoneley looks at how women were fictionalized for the girl reader as ways of achieving a powerful social and cultural presence. Covering a wide range of works and writers, this book is of interest to cultural and literary scholars.