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Manson reveals English words hiding within the original French text of Mallarme's poems. These pages are strewn with shreds of words: unevenly dispersed, semantically uncomfortable in each other's company, they stumble together to make momentary meaning before drifting apart on the white space of the page.

This companion forms the best introduction to the work of one of Britain's leading experimental writers. Maggie O'Sullivan has an international reputation as a poet both on the page and as a mesmerising performer. Influenced by Bob Cobbing, Barry MacSweeney and Susan Howe, to name just a few - her work breaks through traditional boundaries of performance and writerly practice and, along with Geraldine Monk, she can be seen as a profoundly important player in the early feminist avant-garde in the UK that emerged during the 1970s. She continues to be a major influence on new women's writing to...