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The use of differing input and output equipment (scanners, monitors, printers, etc.) in computer-aided publishing often results in the unsatisfactory reproduction of color originals in print and online media. This is the first book presenting the basics and strategies for color management in the print publishing workflow with focus on producing according ISO 12647-2 and other standards. The user learns what to expect from color management according to the ICC-standard and how to avoid the pitfalls. The terminology is oriented on practicing professionals for print production.

The use of differing input and output equipment (scanners, monitors, printers, etc.) in computer-aided publishing often results in the unsatisfactory reproduction of color originals in print and online media. This is the first book presenting the basics and strategies for color management in the print publishing workflow with focus on producing according ISO 12647-2 and other standards. The user learns what to expect from color management according to the ICC-standard and how to avoid the pitfalls. The terminology is oriented on practicing professionals for print production.

In diesem Band stellt der Autor den Aufbau aller wichtigen Standards fur das Colormanagement in der Druckproduktion dar. Ausgehend von den Starken und Schwachen der Standards entwickelt der Autor praxisorientierte Strategien fur die effiziente Produktion von der Ubergabe digitaler Fotos uber die Druckvorstufe bis zum Druck.

Das Buch wendet sich an folgende Zielgruppen:

Produktioner, die Fotografen, Agenturen, Reprofirmen und Druckereien koordinieren.

Fotostudios, die auf Augenhohe mit Reprofirmen und Druckereien...