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In the Odes, Horace writes of his own work, I have built a monument more enduring than bronze, --a striking metaphor that hints at how the poetry and built environment of ancient Rome are inextricably linked. This fascinating work of original scholarship makes the precise and detailed argument that painted illustrations of the Trojan War, both public and private, were a collective visual resource for selected works of Virgil, Horace, and Propertius. Carefully researched and skillfully reasoned, the author's claims are bold and innovative, offering a strong interpretation of the relationship...

This strikingly innovative account of Propertius' relationship with Virgil paints a remarkable picture of poetic rivals. Examination of their use of Greek mythology uncovers sustained polemics concealed and couched in meta-literary allusions, forcing a reshaping of our understanding of poetic interaction within the circle of Maecenas.