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In American cinema, films with multiple plots can be traced back to Grand Hotel in 1932, but the form was used only sporadically in subsequent decades. However, filmmakers of the 1970s and 80s, notably Robert Altman and Woody Allen, repeatedly employed complex narratives to weave sprawling stories in their films. Later filmmakers such as Quentin Tarantino, Paul Thomas Anderson, Wong Kar-Wai, Steven Soderbergh, and Paul Haggis embraced multiple plotlines, a device that eventually achieved mainstream respectability in such Oscar winners as Traffic and Crash. In the past two decades, more than...

for SATB, accompanied and unaccompanied
A comprehensive and versatile collection of 40 appropriate and inspiring pieces. Weddings for Choirs contains a careful selection of pieces chosen to complement every part of a wedding service, whether sacred or secular, grand or intimate. Many of the traditional pieces are presented here in new practical arrangements or editions to help choirs whose rehearsal time is limited.