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Vědec, výzkumník, teoretik umění a malíř Pavel Machotka (1936), pražský rodák žijící však od roku 1948 trvale v zahraničí, absolvent Harvardské univerzity a profesor psychologie a umění na Kalifornské univerzitě v Santa Cruz, od roku 2000 pobývající v italské Umbrii, se zvláště od osmdesátých let sám intenzivně zabýval malbou. V posledním čtvrtstoletí proběhla řada jeho samostatných výstav, a to především v Kalifornii, České republice a Itálii. Jako teoretik získal světový věhlas mnoha knihami, především cézannovskými tituly Cézanne,...

That painting is at least in part an expression of the painter's personality is obvious from the differences between very impulsive and very controlled painters - between the paintings of a Picasso, for example, and a Piet Mondriaan. But these differences have not been looked at in a controlled setting. In this book, Machotka sets out to understand the images produced by a broad sample of students and to connect them to the students' inner lives - to their interpersonal relations, their wishes and fears, their impulses and inhibitions. Their image making was followed in detail and their...

That painting is at least in part an expression of the painter's personality is obvious from the differences between very impulsive and very controlled painters - between the paintings of a Picasso, for example, and a Piet Mondriaan. But these differences have not been looked at in a controlled setting. In this book, Machotka sets out to understand the images produced by a broad sample of students and to connect them to the students' inner lives - to their interpersonal relations, their wishes and fears, their impulses and inhibitions. Their image making was followed in detail and their...