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Process poetics is about radical poetry -- poetry that challenges dominant world views, values, and aesthetic practices with its use of unconventional punctuation, interrupted syntax, variable subject positions, repetition, fragmentation, and disjunction.

To trace the aesthetically and politically radical poetries in English Canada since the 1960s, Pauline Butling and Susan Rudy begin with the "upstart" poets published in Vancouver's TISH: A Poetry Newsletter, and follow the trajectory of process poetics in its national and international manifestations through the 1980s...

Poet Phyllis Webb initiated new ways of seeing into the cultural "dark" of Western thought. By blurring the axis between "light" and "dark," she redefined in positive terms women's subjectivity and sexuality, which are traditionally assigned "dark" negative values.

Seeing in the Dark includes perceptive discussions on a number of Webb's collections, specifically Naked Poems, Wilson's Bowl, Water and Light and Hanging Fire. Butling shows how Webb uses strategies of subversion, reversal and re-vision of prevailing traditions and tropes to...