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-Where does the city without gates begin? Perhaps inside that fugitive anxiety, that shudder that seizes the minds of those who, just returning from a long vacation, contemplate the imminent encounter with mounds of unwanted mail or with a house that's been broken into and emptied of its contents. It begins with the urge to flee and escape for a second from an oppressive technological environment, to regain one's senses and one's sense of self.---from Lost Dimension

Originally written in French in 1983, Lost Dimension remains a cornerstone book in the work of Paul...

Art as Far as the Eye Can See puts art back where it matters -- at the center of politics. Art used to be an engagement between artist and materials but it has now become technologized. Its materials have become light rather than matter. In the 21st Century the new battleground is art as light versus art as matter.

Virilio argues that this change reflects how speed and politics - the defining characteristics of the 20th Century - have been transformed in the 21st Century to speed and mass culture. Politics has been replaced with mass culture...and the defining characteristic...

At the same time the speeded-up markets of global finance, with screens of multi-coloured numbers designating the rapid flows of capital, are...

Beneath the humanitarian rhetoric, Virillo sees a sinister innovation in the methods of waging war: territorial space is being replaced by orbital space in which a system of global telesurveillance is linked to the...

Paul Virilio is one of contemporary Continental thought's most original and provocative critical voices. His vision of the impact of modern technology on the contemporary global condition is powerful and disturbing, ranging over art, science, politics and warfare.

In Art and Fear, Paul Virilio traces the twin development of art and science over the twentieth century. In his provocative and challenging vision, art and science vie with each other for the destruction of the human form as we know it. He traces the connections between the way early twentieth century avant-garde artists...

In June 2007, Paul Virilio and Sylvere Lotringer met in La Rochelle, France to reconsider the premises they developed twenty-five years before in their frighteningly prescient classic, Pure War. Pure War described the invisible war waged by technology against humanity, and the lack of any real distinction since World War II between war and peace. Speaking with Lotringer in 1982, Virilio noted the -accidents- that inevitably arise with every technological development: from car crashes to nuclear spillage, to the extermination of space and the derealization of time wrought by instant...

Art used to be an engagement between the artist and materials, but now as art practices and mediums have changed, these materials have also changed. Where art used to talk of the aesthetics of disappearance, it must now confront the disappearance of the aesthetic. In the twenty-first century, the new battleground is art as light versus art as matter. In this work, author Paul Virilio argues that this change reflects how speed and politics have been transformed to speed and mass culture.

We are living under the administration of fear: fear has become an environment, an everyday landscape. There was a time when wars, famines, and epidemics were localized and limited by a certain timeframe. Today, it is the world itself that is limited, saturated, and manipulated, the world itself that seizes us and confines us with a stressful claustrophobia. Stock-market crises, undifferentiated terrorism, lightning pandemics, -professional- suicides.... Fear has become the world we live in.

The administration of fear also means that states are tempted to create policies for the...