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Another wild, expansive collection from the eternally surprising Pulitzer Prize-winning poet

Smuggling diesel; Ben-Hur (the movie, yes, but also Lew Wallace's original book, and Seosamh Mac Grianna's Gaelic translation); a real trip to Havana; an imaginary trip to the Chateau d'If: Paul Muldoon's newest collection of poems, his twelfth, is exceptionally wide-ranging in its subject matter--as we've come to expect from this master of self-reinvention. He can be somber or quick-witted--often within the same poem: The mournful refrain of "Cuthbert and the Otters" is...

Of Plan B, which included several of the poems in Maggot, Robert McCrum recently said in the London Observer that "Paul Muldoon, who has done so much to reimagine the poet's task, has surpassed himself with his latest collection." In his eleventh full-length book, Muldoon reminds us that he is a traditional poet who is steadfastly at odds with tradition. If the poetic sequence is the main mode of Maggot, it certainly isn't your father's poetic sequence. Taking as a starting point W. B. Yeats's remark that the only fit topics for a serious mood are "sex and the...

The title of Horse Latitudes, Paul Muldoon's tenth collection of poetry, refers to those areas thirty degrees north and south of the equator where sailing ships tend to be becalmed, where stasis (if not stagnation) is the order of the day.

From Bosworth Field to Beijing, the Boyne to Bull Run, from a series of text messages to the nineteenth-century Irish poet Thomas Moore to an elegy for Warren Zevon, and from post-Agreement Ireland to George W. Bush's America, this book presents us with fields of battle and fields of debate, in which we often seem to have come to a...

My heart is heavy. For I saw Fionnuala,
"The Gem of the Roe," "The Flower of Sweet Strabane,"
when a girl reached down into a freezer bin
to bring up my double scoop of vanilla.
-"White Shoulders"

Seamus Heaney has called his colleague Paul Muldoon "one of the era's true originals." While Muldoon's previous book, The Annals of Chile, was poetry at an extreme of wordplay and formal complexity, Hay is made up of shorter, clearer lyric poems, retaining all of Muldoon's characteristic combination of wit and profundity but appealing to the reader in new and...

In The End of the Poem, Paul Muldoon dazzlingly explores a diverse group of poems, from Yeats's "All Souls' Night" to Stevie Smith's "I Remember" to Fernando Pessoa's "Autopsychography." Muldoon reminds us that the word "poem" comes, via French, from the Latin and Greek: "a thing made or created." He asks: Can a poem ever be a free-standing structure, or must it always interface with the whole of its author's bibliography--and biography? Muldoon explores the boundlessness created by influence, what Robert Frost meant when he insisted that "the way to read a poem in prose or verse is...

Subtitled A Mystery, this verse narrative collects several poems concerning the so-called "Pantisocracy" (meaning a state ruled equally by all), a utopian scheme devised and later abandoned by the 18th-century poet-philosophers Samuel Taylor Coleridge and Robert Southey. What if they had indeed set up such an ideal community on the banks of the Susquehanna? That is the crux of this book's long and fascinating title poem, which depicts events via the mind's eye of one of Southey's reputed descendants.

The poems in this book also focus more directly on the legend of Madoc...