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This study proposes to examine the tension in Nietzsche’s works between two competing discourses, i.e., the discourse of theology and the discourse of philology. It argues that, in order to understand Nietzsche’s complicated standpoint and the aim of his Kulturkritik, we have to appreciate how he operates with two different discourses, one indexed to belief, faith, liturgy (i.e., the discourse of theology) and another indexed to analytical reason, sceptical investigation, and logical argumentation, as well as historical context and linguistic precision (i.e., the discourse of...

The second volume of Analytical Psychology and German Classical Aesthetics builds on the previous volume to show how German classicism, specifically the classical aesthetics associated with Goethe and Schiller known as Weimar classicism, was a major influence on psychoanalysis and analytical psychology alike.

This volume examines such significant parallels between analytical psychology and Weimar classicism as the methodological similarities between Goethe s morphological and Jung s archetypal approaches, which both seek to use synthesis as well as analysis in their...

What are the blissful islands? And where are they? This book takes as its starting-point the chapter called On the Blissful Islands in Part Two of Nietzsche s Thus Spoke Zarathustra, and its enigmatic conclusion: The beauty of the Superman came to me as a shadow . From this remarkable and powerful passage, it disengages the Nietzschean idea of the Superman and the Jungian notion of the shadow, moving these concepts into a new, interdisciplinary direction.

In particular, On the Blissful Islands seeks to develop the kind of interpretative approach that...

The Archaic takes as its major reference points C.G. Jung's classic essay, 'Archaic Man' (1930), and Ernesto Grassi's paper on 'Archaic Theories of History' (1990). Moving beyond the confines of a Jungian framework to include other methodological approaches, this book explores the concept of the archaic.

Defined as meaning 'old-fashioned', 'primitive', 'antiquated', the archaic is, in fact, much more than something very, very old: it is timeless, inasmuch as it is before time itself. Arch, Urgrund, Ungrund, 'primordial darkness', 'eternal nothing'...