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In this book, David Patterson sets out to describe why Jews must live -- but especially think -- in a way that is distinctly Jewish.

For Patterson, the primary responsibility of post-Holocaust Jewish thought is to avoid thinking in the same categories that led to the attempted extermination of the Jewish people. The Nazis, he says, were not anti- Semitic because they were racists; they were racists because they were anti-Semitic, and their anti-Semitism was furthered by a Western ontological tradition that made God irrelevant by placing the thinking ego at the center of...

"In the Holocaust novel, silence is always a character, and the word is always its subject matter." So writes David Patterson in this profound and original study of more than thirty important writers. Contrary to existing views, he argues, the Holocaust novel is not an attempt to depict an unimaginable reality or an ineffable horror. It is, rather, an endeavor to fetch the word from silence and restore it to meaning, to resurrect the human soul, to regenerate the relation between the self and God, the self and other, the self and itself.

This book is less a critical study in the...

This extraordinary book is based on more than fifty diaries of Jewish Holocaust victims of all ages, written while the events described were actually taking place. Many of the writers did not survive. Patterson's book is unique not only in the number of diaries and original texts it examines but also in the questions it raises and in the approach it takes from within Jewish traditions and contexts.

Patterson has organized his book around a series of themes that lead to a deeper understanding of the meaning of these works for both their writers and their readers, affirming the...

John Cage: Music, Philosophy, and Intention, 1933--1950 explores the early part of John Cage's life and career, concentrating on the "pre-chance" period from roughly 1933 to 1950. These essays consider influences on Cage's work, his early percussion pieces, his evolving aesthetic, and his movement toward an ideology that would later shape his own work, arguing that a reevaluation of this early period is crucial to understanding his later work. It includes contributions from an international group of music and art scholars.