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Marber Plays: 1 brings together three of this award-winning playwright's first plays produced at the National Theatre and the Donmar Warehouse, London.

Dealer's Choice premiered at the Royal National Theatre, London, in 1995 and subsequently transferred to the West End. It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play.
'An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your...

Dealer's Choice premiered at the Royal National Theatre, London, in 1995 and subsequently transferred to the West End. It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play.

"An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."--Financial Times

"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a...

A new version of a world classic by one of Britain's best-known contemporary playwrights. After Miss Julie - by Patrick Marberre - locates August Strindberg's Miss Julie (1888) to an English country house in July 1945. In this radical re-imagining of theatre's first "naturalistic tragedy" the events of Strindberg's original are transposed to the night of the British Labour Party's "landslide" election victory.

The play focuses on the complex relationships, politics and morality of four people trading partners in search of love and lust. It uniquely blends elements of tragedy, comedy, and melodrama and challenges audience perceptions at every turn. Marber turns upside down romantic notions of love and sex uniting two people as one and pointedly challenges the idealistic notion that total honesty is the best way to preserve a relationship. As the four characters move in and out of relationships and expose their individual bleak takes on those relationships, the audience sees their self-delusions...