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No other cinematic genre more sharply illustrates the contradictions of American society - notions about social class, politics, and socio-economic ideology - than the war film. This book examines the latest cycle of war films to reveal how they mediate and negotiate the complexities of war, class, and a military-political mission largely gone bad.

By the 1990s the Pentagon had greatly expanded its global and imperial reach and deeply embedded itself into the commerce and ideology of Hollywood war movies, video games, television, and the private arms industry. Post-Vietnam Hollywood attempted to resu