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Formalist criticism of the modern novel has concentrated on its spatial aspects. Patricia Tobin focuses, instead, on the modern novel's temporal structure. She notes that the "genealogical imperative" that dominated the nineteenth-century novel, in which one event gave birth to another, has broken down in the twentieth-century novels she studies. Further, she draws parallels between this collapse of linear narrative and the current challenge to linearity from many other areas of modern thought.

Beginning with Mann's Buddenbrooks as a family chronicle novel that fully embodies...

Formalist criticism of the modern novel has concentrated on its spatial aspects. Patricia Tobin focuses, instead, on the modern novel's temporal structure. She notes that the "genealogical imperative" that dominated the nineteenth-century novel, in which one event gave birth to another, has broken down in the twentieth-century novels she studies. Further, she draws parallels between this collapse of linear narrative and the current challenge to linearity from many other areas of modern thought.

Beginning with Mann's Buddenbrooks as a family chronicle novel that fully embodies...

During the sixties and seventies, the fictional "reinventions" of john Barth, along with his misread and influential essay 'The Literature of Exhaustion," established the comic novelist as a leading practitioner and theorist of what was then coming to be called postmodern literature. In more recent years, however, Barth's reputation has been called into question within the ongoing critical debate over the criterion of "originality" and the status of literary repetition, imitation, and parody. In her spirited defense of Barth, Patricia Tobin employs Harold Bloom's theory of belatedness to...