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For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osborne's complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and the relationship between Osborne's life and work. Gilleman has also traced the evolution of Osborne's reception by turning to critical reviews at the beginning of each chapter.

A dozen new essays on playwright Osborne (1929-94) whose 1956 Look Back in Anger launched the renewal of postwar British theatre and has remained an enduring classic since. Among them are a memory, a eulogy, and a bibliography as well as considerations of such plays as The Entertainer (1957), Luther