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On writing our pain we inevitably write about the past because it is impossible to produce art in situations of acute physical pain. As Elaine Scarry has convincingly argued in The Body in Pain, during severe illness individuals spontaneously lose the means to convey their feelings and emotions. So the art of pain inevitably comes from a witness to this pain, i.e. doctors, sympathetic onlookers and ex-patients who examine their pain once it has remitted. This interdisciplinary collection of essays identifies as its core issues the translation of pain into art, the (im)possibility of...

As Food Studies has grown into a well-established field, literary scholars have not fully addressed the prevalent themes of food, eating, and consumption in Chicana/o literature. Here, contributors propose food consciousness as a paradigm to examine the literary discourses of Chicana/o authors as they shift from the nation to the postnation.

This book is concerned with food autobiographies written by men from the 1980s to the present. After presenting a historical overview of the place of food within men's autobiography, this volume analyzes the reasons for our present interest in food and the proliferation of life narratives focused on cooking.

As Food Studies has grown into a well-established field, literary scholars have not fully addressed the prevalent themes of food, eating, and consumption in Chicana/o literature. Here, contributors propose food consciousness as a paradigm to examine the literary discourses of Chicana/o authors as they shift from the nation to the postnation.