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In Remnants of Empire in Algeria and Vietnam: Women, Words, and War author Pamela A. Pears proposes a new approach to Francophone studies. The work uses postcolonial theory, along with gender and feminist inquiries, to emphasize the connections between two Francophone literatures, Algerian and Vietnamese. Specifically Pears focuses on four novels: Yamina Mechakra's La Grotte ZclatZe, Ly Thu Ho's Le Mirage de la paix, Malika Mokeddem's L'Interdite, and Kim Lef_vre's Retour DEGREES la saison des pluies. All four novels show the profound transformation of women's roles in Algeria and Vietnam...

The front covers of books written by Algerian women serve as the primary source of investigation in Front Cover Iconography and Algerian Women Writers. These covers have implications that extend beyond selling the book. What we see on one side of the page--or in this case, the cover, (recto) controls what we read on the reverse--in this case, the text itself (verso). Using theories of the paratext, including those of Gerard Genette and Jonathan Gray, this book determines how four dominant iconographies used on the covers of Algerian women's writing - Orientalist art, the veil, the desert, and...

In Remnants of Empire in Algeria and Vietnam: Women, Words, and War author Pamela A. Pears proposes a new approach to Francophone studies. The work uses postcolonial theory, along with gender and feminist inquiries, to emphasize the connections between two Francophone literatures, Algerian and Vietnamese. Specifically Pears focuses on four novels: Yamina Mechakra's La Grotte eclatee, Ly Thu Ho's Le Mirage de la paix, Malika Mokeddem's L'Interdite, and Kim Lefevre's Retour a la saison des pluies. All four novels show the profound transformation of women's roles in Algeria and Vietnam during...