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In this unique study of the dramatic form, Oscar Lee Brownstein presents a personal analysis of the way in which experience is created by drama. A variety of plays are discussed and examined as perceptual objects, structures whose designs are entirely determined by the fact that they are meant to be perceived. Brownstein focuses on the distinct aspects of the dramatic art form and on its special powers to orchestrate the imagination and produce a personal encounter in the lives of spectators. In so doing, he provides a practical critical theory of drama that is sophisticated yet...

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