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The self-portrait of Baccio Bandinelli in the Isabella Stewart Gardner Museum, Boston, shows the sculptor pointing not to a work of marble or bronze, but to a drawing. Bandinelli was particularly proud of his skills as a draftsman, and he was prolific in his production of works on paper. This set him apart from contemporaries in his profession; many Renaissance sculptors left us no drawings at all. Accompanying an exhibition at the Gardner Museum, this publication will put Bandinelli's portrait in context by looking at the practice of drawing by sculptors from the Renaissance to the Baroque...