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This book offers a biopolitical analysis of J. K. Rowling's globally-known Harry Potter series, including Jack Thorne and John Tiffany's stage production of Rowling's story, Harry Potter and the Cursed Child (2016).

This book provides the latest critical research in relation to the representations of ideologies in electronic media, including TV cartoons, animation, videos, and computer and video games, which are designed for children and young adults. As such, the book will appeal to general readers, including undergraduates, researchers, professionals, and anyone who is interested in cultural studies, literary studies, the humanities, and sociology, particularly ideology and discourse studies.