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This study of the Victorian fascination with fairies reveals their significance in Victorian art and literature. Nicola Bown explores what the fairy meant to the Victorians, and why they were so captivated by a figure which nowadays seems trivial and childish. She argues that fairies were a fantasy that allowed the Victorians to escape from their worries about science, technology and the effects of progress. The fairyland they dreamed about was a reconfiguration of their own world, and the fairies who inhabited it were like themselves.

This study of the Victorian fascination with fairies reveals their significance in Victorian art and literature. Nicola Bown explores what the fairy meant to the Victorians, and why they were so captivated by a figure which nowadays seems trivial and childish. She argues that fairies were a fantasy that allowed the Victorians to escape from their worries about science, technology and the effects of progress. The fairyland they dreamed about was a reconfiguration of their own world, and the fairies who inhabited it were like themselves.

This collection brings together essays by scholars from literature, history of art and history of science which explore the diversity of Victorian fascination with the supernatural: ghosts and fairies, table-rappings and telepathic encounters, occult religions and the idea of reincarnation, visions of the other world and a reality beyond the everyday. These essays demonstrate that the supernatural was not simply a reaction to the "post-Darwinian loss of faith," but was embedded in virtually every aspect of Victorian culture.

Essays by literary scholars, art historians and science historians explore the diversity of the Victorians' fascination with the supernatural.