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In 1984 Fredric Jameson wrote that "everything in our social life--from economic value and state power to practices and to the very structure of the psyche itself--can be said to have become 'cultural' in some original and yet untheorized sense." The essays in this special issue track the status of this claim some thirty years later, inquiring into the relationship of art, aesthetics, and cultural production to political economy today. At a moment when interpretation (including "ideology critique" and "symptomatic reading") has been variously supplanted by descriptivism, empiricism, and...