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Set on September 12, 2001, The Mercy Seat continues Neil LaBute's unflinching fascination with the often-brutal realities of the war between the sexes. In a time of national tragedy, the world changes overnight. A man and a woman explore the choices now available to them in an existence different from the one they had lived just the day before. Can one be opportunistic in a time of universal selflessness?

"Sitting in an automobile was where I first remember understanding how drama works...Hidden in the back seat of a sedan, I quickly realized how deep the chasm or intense the claustrophobia could be inside your average family car." --Neil LaBute

Be it the medium for clandestine couplings, arguments, shelter, or ultimately transportation, the automobile is perhaps the most authentically American of spaces. In Autobahn, Neil LaBute's provocative new collection of one-act plays set within the confines of the front seat, the playwright employs his signature plaintive insight to...

Your Friends & Neighbors is a searing display of the war between the sexes, delivered with the kind of wit used by the great Restoration playwrights to expose the hypocrisies in male/female relationships.

Neil Labute's debut feature, in the company of men, was described by Variety as "a dark, probing, truly disturbing exploration of yuppie angst and male anxieties." In Your Friends & Neighbors, male anxiety is again on show, but in a much wider context, revealing the rabid desire of people-regardless of sex- to serve their own interests at any...

Can someone honestly love a person whom they have deceived for thirty years? This is the central question behind Wrecks, Neil LaBute's latest foray into the dark side of human nature. Meet Edward Carr: loving father, successful businessman, grieving widower. In this concise powerhouse of a play, LaBute limns the boundaries of love, exploring the limits of what society will accept versus what the heart will desire. This collection also features rarely staged short plays, including "Liars' Club," "Coax," and the never-before-seen "Falling in Like."

This collection includes one full-length play, WRECKS, and seven short plays, COAX, FALLING IN LIKE, LAND OF THE DEAD, LIARS CLUB, LOVE AT TWENTY, STAND-UP, and UNION SQUARE. WRECKS: Can someone honestly love a person whom they have deceived for thirty years? This is the central question behind WRECKS, Neil LaBute's latest foray into the dark side of human nature. Meet Edward Carr: loving father, successful businessman, grieving widower. In this concise powerhouse of a play, LaBute limns the boundaries of love, exploring the limits of what society will accept versus what the heart will...

In Reasons to Be Pretty, Greg's tight-knit social circle is thrown into turmoil when his offhand remarks about a female coworker's pretty face and his own girlfriend Steph's lack thereof get back to Steph. But that's just the beginning. Greg's best buddy, Kent, and Kent's wife, Carly, also enter into the picture, and the emotional equation becomes exponentially more complicated. As their relationships crumble, the four friends are forced to confront a sea of deceit, infidelity, and betrayed trust in their journey to answer that oh-so-American question: How much is pretty worth?...

Belinda and Cody Phipps appear a typical Midwestern couple: teenage sweethearts, children, luxurious home. Typical except that Cody is black--"rich, black, and different," in the words of Belinda, who finds herself attracted to a former (white) classmate. As the battle for her affections is waged, Belinda and Cody frankly doubt the foundation of their initial attraction, opening the door wide to a swath of bigotry and betrayal. Staged on continually shifting moral ground that challenges our received notions about gender, ethnicity, and even love itself, This Is How It Goes...

Set on September 12, 2001, THE MERCY SEAT continues Neil LaBute's unflinching fascination with the often-brutal realities of the war between the sexes. In a time of national tragedy, the world changes overnight. A man and a woman explore the choices now available to them in an existence different from the one they had lived just the day before. Can one be opportunistic in a time of universal selflessness?

"There is no playwright on the planet these days who is writing better than Neil LaBute ... THE MERCY SEAT is ... the work of a master." --John Lahr, The New Yorker

"An...

Such is the dilemma facing Joe Smith, a run-of-the-mill white-collar businessman who survives an office shooting and is subsequently touched by what he believes to be a divine vision. His journey toward personal enlightenment--past greed and lust and the other deadly sins--is, by turns, tense, hilarious, profane, and heartbreaking.

Exploring the narrow path to spiritual fulfillment and how strewn it is with the funny, frantic failings of humankind, The Break of Noon showcases Neil LaBute at his...

This collection includes seven short plays: FUNNY, BENCH SEAT, ALL APOLOGIES, MERGE, LONG DIVISION, ROAD TRIP, and AUTOBAHN. Be it the medium for clandestine couplings, arguments, shelter, or ultimately transportation, the automobile is perhaps the most authentically American of spaces. In AUTOBAHN, Neil LaBute's provocative collection of one-act plays set within the confines of the front seat, the playwright employs his signature plaintive insight to great effect, investigating the inchoate apprehension that surrounds the steering wheel. Each of these seven brief vignettes explore the...

A startling dissection of cruelty and artistic creation from the author of In the Company of Men and Your Friends and Neighbors

In a modern version of Adam's seduction by Eve, The Shape of Things pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and...

Two brothers meet on the grounds of a private psychiatric facility. Drew, has been court-confined for observation and has called his older brother, Terry, to corroborate his claim of childhood sexual abuse by a young man from many summers ago. Drew's request releases barely-hidden animosities between the two: Is he using these repressed memories to save himself while smearing the name of his brother's friend? Through pain and acknowledged betrayal, the brothers come to grips with and begin to understand the legacy of abuse, both inside and outside their family home.

"In a Dark, Dark...