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This book provides a fresh interdisciplinary perspective on genre and identifies developments in genre studies in the early 21st century. Genre approaches are applied to examine a fascinating range of texts including ancient Greek poems, Holocaust visual and literary texts, contemporary Hollywood films, selfies, melodrama, and classroom practices.

This special issue treats issues of freedom and censorship in the post-Soviet media in the context of the global communications revolution. It includes contributions from journalists and academics across Europe, including the former Soviet Union.