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When Meera Sen comes to the city of Melbourne to become a microbiologist, all she has with her are the traditional values of her culture and the idol of lord Krishna given to her by her uncle.

When Meera meets Brian for the fi rst time, she hates him - but Brian falls in love with her inst antly. Even as he desires her, Brian, consumed with his own insecurities, risks driving her away instead.

Living in Australia, and then returning to her homeland to reconnect with her family and the obligations waiting for her, will leave Meera no st ranger to heartbreak. And when it seems...

Nandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh's personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such...

The discourse on the human right to water presents deliberations on the concept, content and rationale for the right, with little attention to the practical question of translating the right into reality. This book aims to fill this void by focusing on realization of the right by its holders, examining how effective the mechanisms are for implementing the right in enabling its universal realization. In a quest to answer this question, the book draws a conceptual differentiation between implementation and realization of the right, arguing that unlike implementation - which is an objective...

What does immersive theatre do ?

By contrasting two specific performances on the same theme - one an 'immersive' experience and the other a more conventional theatrical production - Nandita Dinesh explores the different ways in which theatrical form impacts upon actors and audiences. An in-depth case study of her work Pinjare (Cages) sets out the hows and whys of her specific aesthetic framework.

Memos from a Theatre Lab places Dinesh s practical work within the context of existing analyses of immersive theatre, using this investigation to generate an...