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Music was one of the first casualties of the Iranian Revolution. It was banned in 1979, but it quickly crept back into Iranian culture and politics. The state made use of music for its propaganda during the Iran-Iraq war. Over time music provided an important political space where artists and audiences could engage in social and political debate. Now, more than thirty-five years on, both the children of the revolution and their music have come of age. Soundtrack of the Revolution offers a striking account of Iranian culture, politics, and social change to provide an alternative...

Jennifer Sahary, an American artist, and her husband Karim, a professor and Iranian immigrant, make an extended visit to Teheran shortly after the Iran-Iraq War, encountering unforeseen dangers and sexual temptations that change the course of their lives.

When their young son is taken by his grandmother to the holy city of Qom without Jennifer s knowledge, she sets out to find him, learning much about Iran and about herself along the way. And as Karim renews contact with his family and surveys the misery and needs of his war-torn country, he begins to question where he can best...

Muslims in Australia investigates the basis of Australian society's fear of Muslims by tracing their history since the Afghan settlement in 1860. The author investigates how events such as September 11 and Bali terrorist attacks reinforce suspicion and fear, giving an insight into what it means to be a Muslim in contemporary Australia, and how the actions of militant Islamic groups have impacted upon Muslims in general in Western society.

Introducing Judeo-Persian writings, this original collection gives parallel samples in Judeo-Persian and Perso-Arabic script and translations in English. Judeo-Persian writings not only reflect the twenty-seven centuries of Jewish life in Iran, but they are also a testament to their intellectual, cultural and socio-economic conditions.

A woman's struggle for self-realization in contemporary Iran, a novel with "the clarity and spare sensuousness of Persian poetry or miniature painting."-Ruth Prawer Jhabvala

When Minou Hakini marries a man of her own choosingan intellectual and a radicaland moves to Abadan, a thriving oil town near the Iraqi border, she imagines her life will be adventurous and liberating. Before long, however, she becomes aware of her husband's suspicious liaisons and dangerous activities. Her struggle to forge her own identity as a woman in contemporary Iran is charged with passion, anger, and...