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Originally published in 1978, beginning with what has been written previously, the author illustrates how Shakespeare used names – not only those he invented in the later comedies, but those names bequeathed to him by history, myth, classical literature, or the Bible.

Shakespeare in China provides English language readers with a comprehensive sense of China's past and on-going encounter with Shakespeare. It offers a detailed history of twentieth-century Sino-Shakespeare from the beginnings to 1949, followed by more recent accounts of the playwright in the People's Republic, Hong Kong and Taiwan. The study pays particular attention to translation, criticism and theatrical productions and highlights Shakespeare's fate during the turbulent political times of modern China. Chapters on Shakespeare and Confucius and The Paradox of Shakespeare in the New China...