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The cinephile community knows Abbas Kiarostami (1940-2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking.

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where’s the Friend’s House? His films defy established conventions, placing audiences as active viewers who must make decisions about...

Three decades of interviews revealing von Trotta's life in the film industry and the evolving roles of and opportunities provided to women over that time period

This thesis focuses on an analysis of Iranian filmmaker, Abbas Kiarostami, from an authorship study point-of-view. Specifically, this study explores the creation of the commodity Kiarostami through an analysis of film reviews of the director's Koker-Trilogy by Western film critics and scholars. It illustrates how Kiarostami has been mystified, which results in the current commodity Kiarostami. By discussing the three most often used authorship approaches to discussing this director's work-origin, personality, and reading strategy-it is illustrated how these approaches have shaped the...