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Somewhere near the beginning of this incisive critical study of perhaps the most elusive and, to some minds, structurally disordered of living writers, Molly Hite notes that the idea of order has always fascinated novelists. She attributes this to the genre's being a hybrid, committed as it is, on the one hand, to a rigorous teleology in which events exist for the sake of resolution, and, on the other, to imitating a world that stubbornly refuses to add up. The teleological impetus of narrative, she notes, reflects "a God-ordered universe," while the mimetic tendency describes "a man-centered...

According to Molly Hite, a number of influential contemporary women novelists-notably Jean Rhys, Doris Lessing, Alice Walker, and Margaret Atwood-attempt innovations in narrative form that are more radical in their implications than the dominant modes of fictional experimentation characterized as postmodernist. In The Other Side of the Story...

In a book that comparesVirginia Woolf's writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862-1952), Molly Hite explores the fascinating connections between Woolf's aversion to women's "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how...

This novel, which was very popular when published in 1891, tells the story of the conversion experiences of a group of young, middle-class Baptist women and their subsequent - or consequent - marriages. In it, racial issues are only indirectly addressed, gentility is a concern ranking second only to salvation, and humility and obedience are prerequisites to a woman's acceptance by the Christian community. In essence, this is a novel of socialization rather than of social protest.