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When her picture-perfect marriage goes sour, Khadra flees to Syria and learns how to pray again. On returning to America she works in an eastern state taking care to stay away from Indiana, where the murder of her friend Tayiba's sister by Klan violence years...

Veiled, secluded, submissive, oppressed--the "odalisque" image has held sway over Western representations of Muslim women since the Enlightenment of the eighteenth century. Yet during medieval and Renaissance times, European writers portrayed Muslim women in exactly the opposite way, as forceful queens of wanton and intimidating sexuality.

In this illuminating study, Mohja Kahf traces the process through which the "termagant" became an "odalisque" in Western representations of Muslim women. Drawing examples from medieval chanson de geste and romance, Renaissance drama, Enlightenment...

"Perhaps Kahf's most impressive accomplishment is her ability to bring together beauty and pain in the same breath, to write poems that encompass history and human endurance as well as joy, that testify to the fragility and power of the human heart. . . . This is Kahf's ultimate message: that religion and ethnicity and color and nationality are as nothing in the face of simple humanity; that spirituality and life are beyond all of these, that no creed or ideology may be taken as justification for harm."--Lisa Suhair Majaj
Kahf establishes herself as a new voice in the tradition of...

Kahf establishes herself as a new voice in the tradition of ethnic American poets, blending the experiences of recent Arab-American immigrants into contemporary American scenery. In her poems, Muslim ritual and Qur'anic vocabulary move in next door to the idiom of suburban Americana, and the legendary Scheherazad of the Thousand and One Nights shows up in New Jersey, recast as a sophisticated postcolonial feminist.

Kahf's carefully crafted poems do not speak only to important issues of ethnicity, gender, and religious diversity in America, but also to universal human themes of...