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The underground music scene in Belgrade has not previously received the intellectual attention it deserves. This book adopts new multidisciplinary approaches, articulating political economy, discourse analysis, semiotics and extensive ethnographic fieldwork. This work explores the complex unity of historical, discursive and aesthetic factors within the scene, and the way in which these define the economic and organisational aspects of its development. Many musicians, artists and entrepreneurs have left their mark. Some have disappeared; many are forgotten, but their actions within the unique...