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From the 1890s onward, Edward S. Curtis took thousands of photographs of Native Americans all over the West. These were published (1907-1930) in twenty volumes of illustrated text and twenty portfolios of photographs; the project was supported by Theodore Roosevelt and funded in part by J. Pierpont Morgan, and spawned exhibitions, postcards, magazine articles, lecture series, a "musicale," and the very first narrative documentary film. Neither a eulogy to Curtis' achievement nor a debunking of it, this book is an honest study of the project as a collective whole.

Mick Gidley provides an intimate and informative glimpse of photographer Edward S. Curtis (1868 1952) and his associates as they embarked on their epic quest to document through word and picture the traditional cultures of Native Americans in the western United States cultures that Curtis believed were inevitably doomed.Curtis s project in the early decades of the twentieth century became the largest anthropological enterprise ever undertaken in this country, yielding the monumental work The North American Indian. Its publication was a watershed in the anthropological study of Native...

This collection of essays addresses the ways in which American and British writers, painters and photographers have represented the American environment. Focusing on such figures as Jefferson, Crè vecoeur, John Neal, James Fenimore Cooper, William Cullen Bryant, Thomas Cole, Samuel Morse, Fanny Kemble, Dickens, Hawthorne, Clarence King and Edward Curtis, the authors explore the preconceptions, ideologies, and rhetorical and aesthetic conventions that shaped attitudes to the North American continent. With its numerous illustrations, including early photographs of the American West, this...

As American settlement expanded westward in the 1860s, the U.S. government undertook large-scale investigations of its new territories. Images of the West: Survey Photography in French Collections, 1860 1880 presents memorable glass-plate photographs from these federal surveys. The selection includes breathtaking views of such iconic sites as Yosemite, as well as lesser-known ethnographic portraits taken by Timothy H. O Sullivan, William H. Jackson, and William Bell, among others. The accompanying essays discuss how the photographs were used to promote white settlement, how their...