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The CSI Effect: Television, Crime, and Governance demonstrates that CSI's appeal cannot be disentangled from its production as a televisual text or the broader discourses and practices that circulate within our social landscape. This groundbreaking interdisciplinary collection bridges the gap between the study of popular culture media and the study of crime, and fosters the development of a new set of theoretical languages in which the mediated spectacle of crime and criminalization can be carefully considered.

The idea for this book began with David Lavery's 2007 column for flowtv.org. "The Crying Game: Why Television Brings Us to Tears" asked us to consider that "age-old mystery": tears. The respondents to David's initial survey-Michele Byers among them-didn't agree on anything ...

Dear Angela includes fourteen critical essays that examine the brief-lived but landmark television series, My So-Called Life (1994-1995). Though certainly not the first young woman to be the center of a television series, Angela Chase and the show about her life were doing something new on television and influenced many of the shows about young people that followed. Michele Byers and David Lavery bring together enthusiastic and engaging voices that bear on a series that continues to be hailed as a breakthrough moment in television, even though more than a decade has passed since its...

Dear Angela includes fourteen critical essays that examine the brief-lived but landmark television series, My So-Called Life (1994-1995). Though certainly not the first young woman to be the center of a television series, Angela Chase and the show about her life were doing something new on television and influenced many of the shows about young people that followed. Michele Byers and David Lavery bring together enthusiastic and engaging voices that bear on a series that continues to be hailed as a breakthrough moment in television, even though more than a decade has passed since its...

The CSI Effect: Television, Crime, and Governance demonstrates that CSI's appeal cannot be disentangled from its production as a televisual text or the broader discourses and practices that circulate within our social landscape. This groundbreaking interdisciplinary collection bridges the gap between the study of popular culture media and the study of crime, and fosters the development of a new set of theoretical languages in which the mediated spectacle of crime and criminalization can be carefully considered.