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This collection of essays constitutes the first history of modern Japanese aesthetics in any language. It introduces readers through lucid and readable translations to works on the philosophy of art written by major Japanese thinkers from the late nineteenth century to the present. Selected from a variety of sources (monographs, journals, catalogues), the essays cover topics related to the study of beauty in art and nature.

The translations are organized into four parts. The first, The Introduction of Aesthetics, traces the formation of notions of beauty, culture, and art in Japan....

Modern Japanese Aesthetics is the first work in English on the history of the Japanese philosophy of art, from its inception in the 1870s to the present. In addition to the historical information and discussion of aesthetic issues that appear in the introductions to each of the chapters, the book presents English translations of otherwise inaccessible major works on Japanese aesthetics, beginning with a complete and annotated translation of the first work in the field, Nishi Amane's Bimyogaku Setsu (The Theory of Aesthetics).

In its four sections (The Subject of Aesthetics, Aesthetic...

In Japan's Frames of Meaning, Michael Marra identifies interpretative concepts central to discussions of hermeneutical practices in Japan and presents English translations of works on basic hermeneutics by major Japanese thinkers. Discussions of Japanese thought tend to be centered on key Western terms in light of which Japanese texts are examined; alternatively, a few Buddhist concepts are presented as counterparts of these Western terms. Marra concentrates on Japanese philosophers and thinkers who have mediated these two extremes, bringing their knowledge of Western thought to bear on...

Kuki Shuzo (1888-1941), one of Japan's most original thinkers of the twentieth century, is best known for his interpretations of Western Continental philosophy. His works on and of poetry are less well known but equally illuminating. During his eight years studying in Europe in the 1920s, Kuki spent time in Paris, where he wrote several collections of poetry and many short poems in the tanka style.

Included in this volume are these Paris poems as well as other verses that Kuki appended to a long essay on poetry, Rhymes in Japanese Poetry, written in 1931. Included as well are...

Modern Japanese Aesthetics is the first work in English on the history of the Japanese philosophy of art, from its inception in the 1870s to the present. In addition to the historical information and discussion of aesthetic issues that appear in the introductions to each of the chapters, the book presents English translations of otherwise inaccessible major works on Japanese aesthetics, beginning with a complete and annotated translation of the first work in the field, Nishi Amane's Bimyogaku Setsu (The Theory of Aesthetics).

In its four sections (The Subject of Aesthetics, Aesthetic...

This collection of essays constitutes the first history of modern Japanese aesthetics in any language. It introduces readers through lucid and readable translations to works on the philosophy of art written by major Japanese thinkers from the late nineteenth century to the present. Selected from a variety of sources (monographs, journals, catalogues), the essays cover topics related to the study of beauty in art and nature.

The translations are organized into four parts. The first, The Introduction of Aesthetics, traces the formation of notions of beauty, culture, and art in Japan....