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In Stagecraft in Euripides, first published in 1985, Professor Michael Halleran examines certain aspects of the dramaturgy of the most extensively preserved Attic tragedian. Although the ancient dramatic texts do not contain performance directions, they do imply stage actions. This work explores the ways Euripides utilises the latter to make a point: to underline some issue, to suggest a contrast, or to shift the focus of the drama. Specifically, Halleran investigates the rearrangement of characters on stage at the major structural junctures of the play: entrances and their announcements;...

Euripides works with a common story pattern a young man (Hippolytus) becomes the object of a married woman's (Phaedra's) desire, rebuffs her sexual overtures, and is then falsely accused to the woman's husband (Theseus, Hippolytus' father) of rape.
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