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Edgard Varese began composing Deserts in 1949, completing it late in 1954. Scored for 15 instruments, 5 percussionists and 2 tapes of organized sounds, Deserts comprises acoustic instrumental music and sections of electronically-organized sounds on magnetic tape meant to be inserted at 3 specific locations within the piece. The alternating sections create a continuous, seven-part form. This analysis will concentrate on the geometric constructs at work in Deserts. Initially, an analysis of the pitch structure will reveal distinct planes of sound comprised of adjacent pitches. A consideration...