Wyniki wyszukiwania:

The real test of Abram's historical explanations is of course whether or not they "work" --whether, when we apply the criteria of correspondence and coherence (Just as in interpreting a poem), they "make sense" out of the particulars at hand and produce useful generalizations even in the face of competing historical interpretations. Abrams' work continues to hold up. --Jack Stillinger

This volume brings together for the first time influential essays and reviews by one of our most important literary critics. Spanning three decades, the essays concern themselves with the most central development themes in recent criticism, from the New Criticism to the much-debated "Newreading" and "New Historicism." Two other essays discuss the emergence of the remarkably influential modern view that a work in the fine arts is an autonomous object, and another offers an extraordinary overview of the history of criticism from Plato and Aristotle to Jacques Derrida and Paul de Man.

But Abrams offers more than a work of scholarship, for he ranges before and after, to place the age in Western culture. he reveals what is traditional and what is revolutionary in the period, providing insights into those same two forces in the ideas of today. He shows that central Romantic ideas and forms of imagination were secularized versions of traditional theological concepts, imagery, and design, and that modern literature participates in the same process. Our comprehension of this age and of our own time is deepened by a work astonishing in its learning, vision, and humane...

One of the deans of literary criticism in America, M. H. Abrams is Class of 1916 Professor of English at Cornell University. He is the author of two landmark books, The Mirror and the Lamp and Natural Supernaturalism, and general editor of the Norton Anthology of English Literature. This volume collects the essays, written over three decades, which together with his books testify to his preeminence. The essays examine Wordsworth s and Coleridge s innovations in their theories about the language of poetry; the prevalence, sources, and significance of a key Romantic image, the correspondent...