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Sacrificio y recompensa is the first Mercedes Cabello de Carbonera work ever published. Entered in the literary contest organized by the Ateneo de Lima in 1886, it earned its author the gold medal. The publication in 1887 meant for Mercedes Cabello her recognition by the Lima society as a writer, and the preliminary hints of a style and attitude vis-a-vis the society that would become exacerbated in her other writings, Los amores de Hortensia (1886); Eleodora (1887); specially in Blanca Sol (Novela social) (1888) and Las consecuencias (1890); and El conspirador (1892). There is a character in...

Los amores de Hortensia, that initiates the cycle of novels by Mercedes Cabello de Carbonera (1842-1909), owes some of its characters' attributes of extreme sensibility, beauty and intelligence to the longevity of Romanticism in Latin America during the nineteenth-century. Yet, the protagonist's search for independence, her intellectual superiority, and above all, her lucid understanding of the dynamics of gender and class within the asphyxiating atmosphere of Lima's upper-crust society, transgress the limits of the romantic heroine and plant her firmly in the tradition of the naturalistic...

A bestseller in its time with four published editions, Blanca Sol (1889) was a highly controversial novel when it first appeared. Thought by many to be a roman a clef about a well-known woman of Lima's high society, Mercedes Cabello de Carbonera (1842-1909) distanced herself from this criticism by making substantial changes for the second edition and by including a prologue stating her intentions of writing a realist novel, a social novel, inspired in reality, but not a copy. With a well earned reputation as an outspoken feminist writer and contributor to cultural journals in Peru and abroad...

Eleodora (1887) and Las consecuencias (1889) conform a singular example within Mercedes Cabello de Carbonera's (1842- 1909) literary production, Though the usual critique tend to consider both as the same novel, because they share the same plot, there are manifold reasons to differentiate them, including their respective placements in different stages of the author's production. The former stands closer to the romantic drama, whilst the latter shows the marked naturalistic influence of the author's latest novels. Eleodora and Las consecuencias may be regarded as a rewriting process, thus...